Main Article Content
Abstract
Background: Nigeria's music industry attracts young minds, particularly Afrobeat, a popular West African music genre. Nigeria is a hub for Afrobeat with lyrics and videos which significantly influence adolescents' behaviour, emotions, and world perception. Aim: This study aimed to assess and to explore the relationship between Afrobeat music and drug abuse in Nigeria. Setting: A total of 200 music undergraduates’ students and 4 music experts from 6 different universities (University of Jos (North Central); University of Maiduguri, Borno State (North-East); Ahmadu Bello University, Zaria, Kaduna (Northwest); University of Nigeria, Nsukka (South East); University of Benin (South South); and University of Lagos (South West). Methods: The study adopted a mixed method approach, coupling quantitative and qualitative data analysis. The population included 200 music students and five music and lyrics analysts from various universities. The research instrument used was a structured questionnaire, while qualitative data was collected through observation and interview guides. Pilot testing was conducted to ensure the instruments were relevant, unbiased, and appropriate for the study context and participants. Quantitative and thematic analysis was conducted. Results: Results indicate that Afrobeat music in Nigeria may promote drug abuse, with 77% of lyrics, videos, and lifestyles featuring drug-related content. This can influence youth attitudes and behaviors towards drugs. The mediating influence of ethnic identity and substance use among young adults is also examined, with the glamorization of drug use potentially promoting or discouraging substance abuse. Conclusion: Despite the efforts of previous researchers, this study observes a gap in the area of guidelines for airing offensive, vulgar, or inappropriate content, including explicit lyrics, violence promotion, or harmful societal content (such as glamourizing and normalizing drug use and abuse).
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References
- Adeniyi, E. (2020). Nigerian afrobeat and religious stereotypes: pushing the boundaries of a music genre beyond the locus of libertinism. Contemporary music review, 39(1), 59-90.
- Adeniyi, E. (2022). Nigerian Afrobeats, the Irony of Belonging and Here–Elsewhere Dialectics. Communicatio, 48(1), 66-101.
- Agberotimi, S. F., & Amenaghawon, F. (2022). Hip-hop Songs, Alcohol and Drugs Use Among Nigerian Youths: Implication for Policy. African Journal for the Psychological Studies of Social Issues, 25(2).
- Akinduyo E.T. (2024) Drug Abuse Practice and Its Predictors Among Youths in Kwara State, European Journal of Biology and Medical Science Research, 11(4), 40-54
- Ashibel, C. (2023). A Qualitative Content Analysis of Nigerian Popular Music Genres: A Culture and Heritage Approach to Nation Branding.
- Babalola, A. O. (2018). Overlooking Misogyny: A Critical Examination of Fela Anikulapokuti's Music, Lifestyle and Legacy (Doctoral dissertation, Texas A&M University-Corpus Christi).
- Balogun, N. O., & Oladipo, T. D. (2024). An examination of the strategic logic of nonviolent resistance in Fela's Afrobeat. International Journal of Arts and Humanities, 5(1), 192-202.
- Botella-Nicolás, A. M., & Retamero-García, I. (2024). Music education’s contribution to the development of EI in adolescents and its effect on the gender variable. Revista Española de Pedagogía, 82(287), 14.
- Eze, S. U., & Sylvanus, E. P. (2022). Popular Music, Deviance and Moral Panics in Nigeria: The Music of Naira Marley. Muziki, 19(2), 25–40. https://doi.org/10.1080/18125980.2023.2201472
- Gerstin, J. (2017). Comparisons of African and Diasporic Rhythm: The Ewe, Cuba, and Martinique. Analytical Approaches to World Music, 5(2), 1-90.
- Hamisu, H. M., Ahmad Tajuddin Othman, A. T. O., & Lian LimHooi, L. L. (2014). Adolescent's and drugs abuse in Nigeria.
- Joseph, D., & Human, R. (2020). “It Is More Than Just about Music”: Lifelong Learning, Social Interaction and Connection. Muziki, 17(1), 72–93. https://doi.org/10.1080/18125980.2020.1855082
- Kim, B., & Dvorak, A. L. (2018). Music therapy and intimacy behaviors of hospice family caregivers in South Korea: A randomized crossover clinical trial. Nordic Journal of Music Therapy, 27(3), 218–234. https://doi.org/10.1080/08098131.2018.1427783
- Louka, C. (2023). The Media and Substance Use Disorders. In Technology-Assisted Interventions for Substance Use Disorders (pp. 97-105). Cham: Springer International Publishing.
- McDermott, O., Orrell, M., & Ridder, H. M. (2014). The importance of music for people with dementia: the perspectives of people with dementia, family carers, staff and music therapists. Aging & Mental Health, 18(6), 706–716. https://doi.org/10.1080/13607863.2013.875124
- Motyka, M. A., & Al-Imam, A. (2021). Representations of psychoactive drugs’ use in mass culture and their impact on audiences. International journal of environmental research and public health, 18(11), 6000.
- Ngobili (2021), asserted that the Naija hip-hop style is a profusion of American/global hip hop, Afro-beat, highlife, and other indigenous Nigerian/African styles mediated and delivered through computer technology.
- Nwankwo, A. O. (2018). Harnessing the Potential of Nigeria’s Creative Industries: Issues, Prospects and Policy Implications. Africa Journal of Management, 4(4), 469–487. https://doi.org/10.1080/23322373.2018.1522170
- Ogunola, A. A. (2023). Nexus between music, human soul and personality formation: contexts from a Nigerian perspective.
- Onanuga, P. A., & Onanuga, A. O. (2020). Violence, sexuality and youth linguistic behaviour: An exploration of contemporary Nigerian youth music. Contemporary music review, 39(1), 137-166.
- Onayinka, T. S., Rufai, M. O., Opele, J. K., & Oyesanya, O. B. (2022). The Marlian’s Influence on Social Behaviour among Youths in Ado-Ekiti, Nigeria. International Journal of Early Childhood, (01), 2184-2191.
- Primack, B. A., Dalton, M. A., Carroll, M. V., Agarwal, A. A., & Fine, M. J. (2008). Content analysis of tobacco, alcohol, and other drugs in popular music. Archives of pediatrics & adolescent medicine, 162(2), 169-175.
- Salters, M. (2023). Scams and Cons: A True Crime Collection: Manipulative Masterminds, Serial Swindlers, and Crafty Con Artists (Including Anna Sorokin, Elizabeth Holmes, Simon Leveiv, Issei Sagawa, John Edward Robinson, and More). Simon and Schuster.
- Sebastine, E. (2017). The Afrobeat legacy of Fela Anikulapo Kuti in Nigeria. Being a made to Prof John Collins for the Course titled African Music and Dance (SOAN 233) Ashesi University College.
- Tekena, M. G., & Ochuba, P. (2022). Fashion and music trends in the 21st century Nigeria. Journal of Creative Arts, Communication and Media Studies, 1(1), 58-90.
- Ugwu, U. T., & Dumbili, E. W. (2022). Inhaling thick smoke: cannabis subculture, community forming and socio-structural challenges in Nigeria. Drugs: Education, Prevention and Policy, 29(4), 345–354. https://doi.org/10.1080/09687637.2021.2004998
References
Adeniyi, E. (2020). Nigerian afrobeat and religious stereotypes: pushing the boundaries of a music genre beyond the locus of libertinism. Contemporary music review, 39(1), 59-90.
Adeniyi, E. (2022). Nigerian Afrobeats, the Irony of Belonging and Here–Elsewhere Dialectics. Communicatio, 48(1), 66-101.
Agberotimi, S. F., & Amenaghawon, F. (2022). Hip-hop Songs, Alcohol and Drugs Use Among Nigerian Youths: Implication for Policy. African Journal for the Psychological Studies of Social Issues, 25(2).
Akinduyo E.T. (2024) Drug Abuse Practice and Its Predictors Among Youths in Kwara State, European Journal of Biology and Medical Science Research, 11(4), 40-54
Ashibel, C. (2023). A Qualitative Content Analysis of Nigerian Popular Music Genres: A Culture and Heritage Approach to Nation Branding.
Babalola, A. O. (2018). Overlooking Misogyny: A Critical Examination of Fela Anikulapokuti's Music, Lifestyle and Legacy (Doctoral dissertation, Texas A&M University-Corpus Christi).
Balogun, N. O., & Oladipo, T. D. (2024). An examination of the strategic logic of nonviolent resistance in Fela's Afrobeat. International Journal of Arts and Humanities, 5(1), 192-202.
Botella-Nicolás, A. M., & Retamero-García, I. (2024). Music education’s contribution to the development of EI in adolescents and its effect on the gender variable. Revista Española de Pedagogía, 82(287), 14.
Eze, S. U., & Sylvanus, E. P. (2022). Popular Music, Deviance and Moral Panics in Nigeria: The Music of Naira Marley. Muziki, 19(2), 25–40. https://doi.org/10.1080/18125980.2023.2201472
Gerstin, J. (2017). Comparisons of African and Diasporic Rhythm: The Ewe, Cuba, and Martinique. Analytical Approaches to World Music, 5(2), 1-90.
Hamisu, H. M., Ahmad Tajuddin Othman, A. T. O., & Lian LimHooi, L. L. (2014). Adolescent's and drugs abuse in Nigeria.
Joseph, D., & Human, R. (2020). “It Is More Than Just about Music”: Lifelong Learning, Social Interaction and Connection. Muziki, 17(1), 72–93. https://doi.org/10.1080/18125980.2020.1855082
Kim, B., & Dvorak, A. L. (2018). Music therapy and intimacy behaviors of hospice family caregivers in South Korea: A randomized crossover clinical trial. Nordic Journal of Music Therapy, 27(3), 218–234. https://doi.org/10.1080/08098131.2018.1427783
Louka, C. (2023). The Media and Substance Use Disorders. In Technology-Assisted Interventions for Substance Use Disorders (pp. 97-105). Cham: Springer International Publishing.
McDermott, O., Orrell, M., & Ridder, H. M. (2014). The importance of music for people with dementia: the perspectives of people with dementia, family carers, staff and music therapists. Aging & Mental Health, 18(6), 706–716. https://doi.org/10.1080/13607863.2013.875124
Motyka, M. A., & Al-Imam, A. (2021). Representations of psychoactive drugs’ use in mass culture and their impact on audiences. International journal of environmental research and public health, 18(11), 6000.
Ngobili (2021), asserted that the Naija hip-hop style is a profusion of American/global hip hop, Afro-beat, highlife, and other indigenous Nigerian/African styles mediated and delivered through computer technology.
Nwankwo, A. O. (2018). Harnessing the Potential of Nigeria’s Creative Industries: Issues, Prospects and Policy Implications. Africa Journal of Management, 4(4), 469–487. https://doi.org/10.1080/23322373.2018.1522170
Ogunola, A. A. (2023). Nexus between music, human soul and personality formation: contexts from a Nigerian perspective.
Onanuga, P. A., & Onanuga, A. O. (2020). Violence, sexuality and youth linguistic behaviour: An exploration of contemporary Nigerian youth music. Contemporary music review, 39(1), 137-166.
Onayinka, T. S., Rufai, M. O., Opele, J. K., & Oyesanya, O. B. (2022). The Marlian’s Influence on Social Behaviour among Youths in Ado-Ekiti, Nigeria. International Journal of Early Childhood, (01), 2184-2191.
Primack, B. A., Dalton, M. A., Carroll, M. V., Agarwal, A. A., & Fine, M. J. (2008). Content analysis of tobacco, alcohol, and other drugs in popular music. Archives of pediatrics & adolescent medicine, 162(2), 169-175.
Salters, M. (2023). Scams and Cons: A True Crime Collection: Manipulative Masterminds, Serial Swindlers, and Crafty Con Artists (Including Anna Sorokin, Elizabeth Holmes, Simon Leveiv, Issei Sagawa, John Edward Robinson, and More). Simon and Schuster.
Sebastine, E. (2017). The Afrobeat legacy of Fela Anikulapo Kuti in Nigeria. Being a made to Prof John Collins for the Course titled African Music and Dance (SOAN 233) Ashesi University College.
Tekena, M. G., & Ochuba, P. (2022). Fashion and music trends in the 21st century Nigeria. Journal of Creative Arts, Communication and Media Studies, 1(1), 58-90.
Ugwu, U. T., & Dumbili, E. W. (2022). Inhaling thick smoke: cannabis subculture, community forming and socio-structural challenges in Nigeria. Drugs: Education, Prevention and Policy, 29(4), 345–354. https://doi.org/10.1080/09687637.2021.2004998